Between dream and reality
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2025
– Grand Prix “Géant des Beaux-Arts” – Taylor Foundation, national drawing competition
– Silver Medal – 38th Vittel International Contemporary Art Fair
– 3rd Prize – 10th Art Exhibition, Champagney (France)
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2024
– Crédit Mutuel Grand Prix – Amarin Show (France)
– Silver Medal – French Academy of Arts, Sciences and Letters
– Gold Medal (drawing / ink) – Salon des Beaux-Arts de Lorraine, Luxembourg
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2023
– Paris Autumn Salon Prize – Croissy Art Actuel Salon, Croissy-sur-Seine
– Taylor “Roger Deverin” Prize – Taylor Foundation, Drawing / Watercolour Painting Exhibition – Paris
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2022
– Audience Award – Art & Heritage Festival, Luxeuil-les-Bains
– Graphic design prize – Literary & Artistic Academy, Loire School
– Award of Merit – Art Show International Gallery, Los Angeles (United States)
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2021
– 1st Prize (drawing & collage) – A4competition international competition
– Gold medal (drawing / ink) – Salon des Beaux-Arts, Thionville
– “David Michelangelo” Prize – Russo Foundation, Florence (Italy)
– 3rd Jury Prize – Street Painters Competition, Plombières-les-Bains
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2020
– Finalist – Global Art Awards, Global Art Agency, Shanghai (China)
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2019
– Audience Award – International Art Festival, Luxeuil-les-Bains
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2018
– Audience Award – Brame des Arts II, Remiremont Cultural Space
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2017
– Audience Favorite – Brame des Arts, Espace Le Volontaire, Remiremont
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2012
– Jury Prize – Eurojeunes Drawing Competition

Drawing is more than a technique: it is a way of observing the world, of slowly moving through it.
President of the drawing section
Since 2025, Antoine Aizier has been President of the Drawing section of the Salon d'Automne in Paris, alongside Véronique Almarine.
Together, they defend a demanding vision of drawing, promoting artists whose practice is based on patience, precision and visual invention.
Their choices are oriented towards pure drawing, free from any artifice, whether figurative, abstract, contemporary or narrative.
Their commitment is reflected in rigorous selection, a requirement for graphic quality and a desire to promote drawing as an artistic discipline in its own right.
In 2024, Antoine was already coordinator of the section with Véronique, before taking over the official presidency.
Antoine defends a drawing that is neither a sketch nor a sub-genre, but an autonomous, accomplished, inhabited work.
For him, drawing is a vast, slow, deep territory — a complete, fully-fledged field of expression.
His commitment aims to revalue this practice in exhibitions, competitions, schools and collections.
He believes in a silent, intimate, universal design.
Each line is a word. Each point, a fragment of history.

Selection Jury for the 2025 Fall Show